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The Temptations of Doctor Antonio: Whiteness and Fellini’s Cinematic Imaginary
Abstract: This presentation will examine the trope of whiteness within Fellini’s first color film, The Temptations of Doctor Antonio (1962), arguing that the film’s setting within the EUR, or the Esposizione Universale Roma, allows for a meditation on Italy’s colonial legacies.

Nov 4, 2020 06:30 PM in Central Time (US and Canada)

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